re-up'd: Toothpaste - EP [1983]

Yes, that's a Colgate-Hindenburg doing a Led Zeppelin -- enter Toothpaste, Chicago's Masters of Provocative Funk. This is their first of two releases, an EP recorded in late 1982 and released on Schwa Records, which also put out a 7" by a later incarnation of Silver Abuse around the same time. This 12" EP, recorded at the old Chess Records building on South Michigan Avenue, is a worthy example of the satirical/weird side of Chicago punk. The EP came out toward the tail end of the city's first wave of punk bands, and sounds nothing like the ossified, macho hardcore ritual that predominated by mid-decade (thanks a lot, Effigies/Raygun copycats). Instead, you get swirling guitars -- evoking new-wave on the one hand, early-'80s Bob Mould on the other. "Amerikan Beauties" mockingly apes the opening riff from "Pretty Woman." One minute they're singing blithely about the occupation of Palestine, next thing you know they're groaning about hardware as some kind of metaphor for fucking, or for American prudishness, or something. Toothpaste holds a mirror up to the banal tropes of Midwestern culture, its silly excuses for counterculture, and a Cold War too absurd to care about anymore. But nobody's looking anyway; probably Toothpaste was too absurd to care about. But they're precious currency for a certain type of weirdo, you know who you are. The video below gives you some idea, though the tune sounds more like Special Affect or End Result than what's on the EP:

The blog I Have a Brain in My Ass has video up of Toothpaste's set at the 2010 Riot Fest Busted at Oz reunion ... honestly they sound pretty stiff and uninspired, but if you're already a fan and need to hear some songs that never made it to record, check it out.

Every one was a terrorist, can't say that about our boys

VA - Busted at Oz [1981]

Okay, this was getting kind of hard to find online so post it I shall. Early document of the old Chicago punk scene, which centered around a handful of bars, such as Le Mere Vipere, Tut's, the Cubby Bear, O'Banions, and OZ, that would spin new punk and reggae records and book groups other than cover bands. Opened in 1977, OZ was the place at which many Chicagoans were introduced to the likes of the Fall, Black Flag, and Hüsker Dü (the infamous "blue paint show" was here). These songs were all recorded live over the period of March 9-11 1981. Side one opens up with the earliest recordings of Naked Raygun, back when they were a  bunch of freaks and didn't do 'woah-ohs' in their songs. Then you've got a couple tracks each by the Subverts, Strike Under, and Da, which don't appear on their records. The Silver Abuse songs include a Urinals-meets-Pere Ubu pisstake cover of Skrewdriver's "Antisocial." The two Effigies tracks are the most straightforward material on here; pretty good midtempo '80s hardcore but I prefer the weird stuff.

Anyway, I don't know if it's a matter of hometown sentimentality or what, but I return to this comp pretty often. Some people even consider it a 'classic' of sorts.

I saw a woman, gasoline, she burned herself to death

Toothpaste - Oh Yeah Come On 7" [1987]

Toothpaste were an '80s Chicago band consisting of Naked Raygun/Silver Abuse/Wayouts folks who played ultra-simple, goofy, self-aware punk that makes me think of what Strike Under would have sounded like if they didn't take themselves seriously. According to the Chicago Punk Database, Toothpaste's first show was in 1981 at a "communist art gallery across Damen Avenue from the Busy Bee diner. Opening act was a performance artist who beat a dead rat with a coffee can." They only have two releases that I know of, and this is their later one, a 7" featuring the ever-so-catchy A-side "Oh Yeah Come On." The title is all of the lyrics, which makes it very easy for you to immediately yell along. Is this the so-called 'Chicago Sound?' I still don't know, but I dig this record a lot.

The B-side is the wierdo jam "Kids Do the Darndest Drugs," which is an apt-enough way of describing the song, really. Anyway if you're interested in the venerable heritage of Chicago punk (which you should be), grab this one for sure.

I'll be uploading their 1983 12" EP soon as well.

Oh yeah oh yeah come on

Steve Bjorklund: Strike Under + Breaking Circus [1981~1989]

Live at Tut's, Chicago, ca. 1981

Here is some Chicago punk history for you. Steve Bjorklund formed Strike Under in 1980 after the end of his first band, which was apparently a garagey, protopunk sort of group called the Rabbits. Strike Under consisted of Steve, his brother Chris (later of the Effigies), Pierre Kedzy (later of Naked Raygun), and Bob Furem, who later played in Da. Their first show was at Northeastern University, and through 1980 and 1981 they played the usual places such as Tut's and Oz.

Their only proper release was 1981's Immediate Action 12" EP, which is notable for being the first record from Wax Trax, back before it was a powerhouse of industrial music. The songs are melodic without sounding too polished. Is this the so-called 'Chicago Sound?' I dunno, but it's pretty clear to me that the songs 'Sunday Night Disorientation' and 'Elephant's Graveyard' make this EP worth having. Long out of print. You can read a great Coolest Retard review of this record, as well as a review of Da's Dark Rooms 7'' and a Strike Under interview, in the Dementlieu Punk Archive.

a pretty stacked night, this one

Strike Under also had two songs on the 1980 Busted at Oz live comp, which I will probably post eventually. Also, in 2010 there was a sort-of reunion of Strike Under, as part of the Busted at Oz reunion shows. Vic Bondi from Articles of Faith was one of the dudes in the 'Strike Under covers band,' as it was called. The performance was taped and can be acquired at this wonderful blog.

After Strike Under broke up, Steve kept at it, forming Breaking Circus in 1983. Their first gig was at the Cubby Bear, back when they would regularly book punk bands. They released The Very Long Fuse EP in 1985, and Steve Albini designed the cover art. It's very much an '80s record, sort of like post-punk plus folk plus drum machine (later, when the band relocated to Minneapolis, the drummer's spot was taken by Todd Trainer, who you probably know as the drummer for Albini's Shellac). Famously includes '(Knife in the) Marathon,' which is one of the catchiest songs ever. I defy you not to get it stuck in your head.

For the hell of it, I also put up a single that Mr. Bjorklund did in the late '80s, after the demise of Breaking Circus. It was put out under the band's name, but appears to be only Steve and a drum machine. The A-side is a very bare take on Naked Raygun's 'Home of the Brave,' and the other is a UK Subs song, again quite transformed by Bjorklund's arrangement. I'm pretty certain it's out of print.

Tomorrow morning I just will not get up [1981]
An unidentified third-world athlete was wrestled to the ground by security [1985]
Jeanie walks out on the home of the brave [1989]

DV8 - Learn to Say Goodbye b/w Guns on the Right 7" [1981]

Here's a quick post of early-eighties Chicago punk for ya. This is a really good 7" from a band who are admittedly little more than a footnote in the scene, itself often relegated as a footnote of the early punk sphere. DV8 consisted of vox/guitarist Lorin Klugman, drummer Eric Spicer, and Bob Hanchett on bass. Spicer provides the obligatory Naked Raygun connexion; he played with them from '84 to '92, playing on the records after All Rise, released in 1986. This is the band's only release, and they broke up in 1982.

But on to the actual songs. The A-side is the best Clash song the Clash never wrote, and the B-side is just as good. This is a single I find myself returning to often, because it's a fucking good record. If you've got $300 to blow, it shows up on eBay for about that amount every once in a while. Needless to say, it's long out of print.

Get it
DV8 on the Chicago Punk Database