Monday, July 30, 2012

Hanetration - Tenth Oar EP [2012]


This is a submission I've been meaning to post for a while now, so behold: Hanetration hail from the UK and secretes some excellent IDM jams -- and this EP is full of them. 'Rex' opens with electronic ripples, letting little quanta of musical information escape until an off-kilter rhythm breaks a hole in the wall and staggers into your ear, phasing in and out as if a dish is struggling to keep the signal. The vibe is not unlike This Heat's 'Fall of Saigon,' which is a welcome influence to my ears.

I could go on about each song like this but the overall sense I get from Hanetration is of some meticulously crafted ambient-but-active-listening music, defying expectation without getting you totally lost. The four compositions all move in and out of each other unnoticeably, morphing from jagged riddms to undulating drone tones with natural ease. Hanetration makes good use of (what sound like) non-electronic instruments the way much of the best electronic music does -- such that the sound is not perceived as 'synthetic.'

I highly recommend this EP to anyone who liked my Dive Signals posts (more of that on the way as well), or the late UK electronic guru Muslimgauze. And like that stuff, this EP is a Quality Headphone Experience™. So plug in, light up some incense, alter yr consciousness if you care to, and let the madness pour in.


Hanetration bandcamp

Sunday, July 22, 2012

Damned Music-industry Cartel Assholes

the war on piracy

I got another DMCA takedown the other day (probably time to switch to a new file host, eh?), this time for Tyvek's Time Change 7". This one seemed particularly arbitrary -- Tom Waits I can understand, Suicide and Can records released in the '80s, okay, I can kind of see it -- but Tyvek?? The fearless Detroit DIY garage-punk troubadours who played Bitchpork just last weekend? The totally nice dudes (/+ladies in various lineups) who in the summer of 2010 did an all-ages early show in my friend's basement for those who couldn't get into Schubas on account of alcohol laws? What I'm trying to get at is that they're hardly the kind of band who would send a DMCA (not that I wouldn't remove links if they asked, but I imagine they'd just go ahead and ask). So let's explore this takedown notice for a brief second:


So the claim was filed by Twentieth Century Fox Film Corporation. Uh huh. As you can see, the canned lawyer assures us that they have "a good faith belief that the links/files identified" are "examples of links/files available through your site that are not authorized by Fox, any of its agents or the law, and therefore infringe on Fox's rights," then lists a host of Allegedly Infringing Links (there were about a hundred more links in the actual email than what you see above). Of course none of these links can be viewed, to see what the content of them actually was, so there is no way of verifying if any of it was in fact owned by Fox. But I guess that doesn't stop them for shutting them down, because hey, Fox didn't authorize them, right?

In the particular case of Time Change, what do we know? Well, we know the record was released in 2011 while Tyvek was touring Europe, and came out on the Paris/Bordeaux label Les Disques Steak. This label appears to be about as DIY as any other imprint the likes of Tyvek have worked with, so it's hard to imagine some business relationship between them and one of the Big Six  (owned by Rupert Murdoch, to boot).

There is the possibility that the origin of the claim is Fox Music, which handles publishing business, but I find it hard to believe. Is it even typical for DIY bands to formally publish their songs? What I think is most likely the case is that Fox made some erroneous (or fraudulent) claim.

I'm not writing about this because it's unique. None of it is news to anyone that does a blog for music. At best these takedowns are collateral damage of the Culture Industry's war on 'piracy'; at worst they amount to censorship. The whole thing just makes me really nervous about the future.

Anyway, to make up for the takedown, here's some Tyvek videos for you to enjoy:

'Mary Ellen Claims' in Brooklyn


'Underwater 1' in Scandinavia


'Flowers' in Austin


'Frustration Rock Version' in Detroit



'Air Conditioner' in Benesov, Czech Republic


'Nothing Fits' in Cleveland Heights

Monday, July 9, 2012

Sferi - Sounds of the Spheres [2012]


This is a rather intriguing submission from a psychonaut in the land of Macedonia. Sounds of the Spheres is a concept double-album about the planets in our solar system, with each sky-wanderer getting about ten minutes to beam its cosmic frequencies into the radar dishes on the sides of your head. For the most part, the songs sound like they could have originated in space, if such transmissions could get ahold of a decent producer. Sounds of the Spheres mainly deals in drones and loops, but nothing about this is lazy and there is no shortage of melody. I won't get into the songs of each individual planet because Sferi did it already, in depth, but I will say that my favorites are the warm, lush 'Venus' and the metallic, palpitating 'Saturn.' As the planets become more distant so does their sound; listening to the whole thing all the way through really feels like an 80-minute trip to the edge of the solar system. The latter half makes me think of a 2001-style star gate voyage.

Sferi has released Sounds of the Spheres as a 2-CD set limited to 50 copies, complete with a booklet detailing how each piece was conceived. You can of course also stream/download (free +PWYW) at Sferi's bandcamp linked below.



Sferi bandcamp

Davey Dynamite - Some Thoughts [2011]


Saw this fellow in a Champaign basement a few nights ago, and since he gave me this CD for free I'm passing it on to you. Davey Dynamite hails from Dekalb, Illinois and plays some of the best folk punk around these days. He barks out a Johnny Hobo rasp with the sincerity of Phil Ochs, but without the former's druggy nihilism or the latter's newspaper headline lyrics. The politics Davey sings about are more personal, which is probably why he resonates with so many people. I don't know what more to say about this guy, other than that he's a grade-A Nice Dude, can ably carry a tune and conjures up some clever lyrics that will probably get stuck in your head and make you feel all warm inside. It's all very heartfelt, but before you start getting down on me about this hokey-folky bullshit, remember the wise words of  G.I.S.M.: "punks is hippies."

You can download this album and the rest of Mr. Dynamite's stuff for free (+ pay what you want, you know the drill) at the bandcamp link below.


Davey Dynamite bandcamp

Thursday, July 5, 2012

Kowabunga! Kid - Kowabunga! Kid CS [2012]


Kowabunga! Kid are a crowd pleaser here in the C-U. When these guys start playing, mouths turn to smiles and feet tap maniacally. That's about the best way I can describe Kowabunga! Kid's sound; it's punk-tempo power pop with sunny words that recalls the likes of Beat Happening or twee bands. The fi is low but the sound is clear, with jangly guitars and chordful bass melodies. And they make their songs dense with things to make you like them. My favorite K!K song is probably 'Crybaby,' with its classic doo-wop keyboard line and gorgeous female vocals. If you do not feel better immediately after hearing this than before, you may just be beyond saving.

K!K put this tape out just a few weeks ago I believe. I got mine already but you can get a copy at one of a couple out-of-town shows they're doing.


Kowabunga! Kid bandcamp

GRG - Hound [2012]


Another group of punks who wrecked Urbana tonight. Crunchy, protein-fortified, effects-laden hardcore. I really dug the dynamic range these guys possess: one second they'll be chugging through some delirious blast-beating hardcore territory, the next they'll be spacing out on a abstract spacecore feedback drone. Like NERV, these folks have recordings up for free on bandcamp, so snatch it up while the gettin's good. I can't find any information online about the tour GRG and NERV are on, but if you see that they're playing in your town, get your ass to that show. You won't be disappointed.


GRG bandcamp

NERV - Sound Only 02 [2011]


Just saw these Iowan punks in Urbana. The set was a cacophonous frenzy of stomping hardcore riddms and School Jerks-esque hoarse vocal snot. At times the guitars recalled ultracore-period Hüsker Dü, which is always a plus in my book. Overall this is some mighty tight, well-crafted punk music; I suppose there's probably not much else to do in a place like Iowa City. This nine-song, seven-minute release is available for free, so snatch it up why don't ya.


NERV bandcamp

Dipers - Shit House 7" [2012]


Dipers are the perfect antidote for the over-serious, bland, and humorless hardcore bands people complain about. Harking back to OG New York punks like the Dolls and the Dictators, Dipers have the 'smart guys playing dumb' schtick down pat. The lyrics are funny, the vocal delivery is perfect, and the instruments are a raucous jam of hardcore punk (as opposed to punks playing hardcore). On some of the songs the guitar tone is in the same mid-range, rotary-saw-cutting-metal-spitting-sparks-everywhere realm as Hüsker Dü.

You can read an entertaining interview with Dipers frontman Reed Dunlea at superchief.tv. The first picture is the cover of their excellent demo cassette which can be acquired here.


Shit House is out on Eat the Life, which is run by one of the dudes from Poor Choice and Buff Shit, among others. Be sure to check out all the other cool stuff there.

Shit Hawk Punks - Dipers website

Fuck technology except the internet

Wednesday, July 4, 2012

Sonic Death - Gothic Session EP [2012]


For those of you who dug the recent Wavepool Abortion post, here's some more '60s-indebted fucked-up rock and roll from a Russian two-piece. Compared to that band, though, Sonic Death have a darker, more folkish sound. Perhaps you could say Sonic Death are the Stooges (I'm thinking 'Gimme Danger') to Wavepool Abortion's Beatles -- or perhaps neither of those bands resemble these. In any case, the vocal harmonies and acoustic chord changes make some great tunes with that world-weary resignation that Russian bands are so good at communicating. The Gothic Session EP came out five months ago, and has been pretty frequent in my rotation since I heard it around that time.

According to the fellows at Aphonia Recordings, this is what the band had to say about making this record:
After a little break we started work on a new session. Seven fresh songs were recorded on a Tascam cassette Portastudio, sitting in the already known bathroom. At this time we used a clean slightly reverbed guitar sound, the drum section was shaded with maracas. The sound is soft, psychedelic vibrating, like The Cannanes meet Vivian Girls on The Seeds cover party. The lyrics are all about dark love emotions and solitude. All of this has been called GOTHIC SESSION. The first track with the western spirit and refrain “I take off all of me/ You will not get pleasure” is entitled ‘Pleasure’ and is like a roll call with Stones ‘Satisfaction’. The second called ‘Now (Son Of A Bitch)’ and has at the end the converted quotation from Misfits “I am goddamn son of a bitch/ you better think about it baby”. Third song named ‘Marzipan’, and has a sample from an amateur slap porn video, whose plot is about pining for the attention from a girlfriend. The fourth acoustic-postpunk song ‘Streets’ laments the loneliness in the city. Fifth ‘To Me’ is classic garage-y amateur guitar rock. The sixth track ‘Huuuh-uuh-uuuh’ is an acoustic ballad for two voices. The last one ‘Floor’ is a confluence of The Jesus and the Mary Chain with Buddy Holly and back again. On the cover, we photographed against a background of the crucifix as Bible sellers in East European chic.


Gothic Session is available at Sonic Death's bandcamp for a mere $5 of your mortal money. They also have a self-titled release for $0, and while they're both good, Gothic Session is the better set.

Tuesday, July 3, 2012

Les Rallizes Dénudés - Electric Pure Land [1974]


Here's a quick Les Rallizes Dénudés post. If you know Rallizes, you know what you're getting here. If you don't know them, then this set is a great place to start, because it's not as long as most of their other releases.

Electric Pure Land starts out with the swirling, damaged repetition of  'The Last One' (normally it's not the First One) and continues from there. 'Enter the Mirror' shimmers with the brilliance of radio pop transmissions originating in another galaxy; 'Flames of Ice' stomps around and kicks psychedelic sparks into your face. What are you gonna do, step out the way? No, you ignoramus, you'll stay right there and enjoy your electrification. 'Voice of the Bird' is a beauteous electric folk ballad to help you lament your ensuing tinnitus. Finally, closer 'Angel' grooves with what sounds like a slowed-down Bauhaus bass riff below Mizutani's echoey crooning, interspersed with wild blasts of feedback.

Well, I didn't set out to do a song-by-song exposition, but there it is. Listen, this is a great recording, and if this scribbling doesn't convince you to download it, perhaps my other Rallizes post would.


Wavepool Abortion - ЖЕРТВА АБОРТА [2011]


Don't remember how I came across these guys, but the songs have been more or less stuck in my head since I first heard them. According to their bandcamp page, Wavepool Abortion (charming name, right?) are from Moscow, and they churn out blissful pop tunes that swirl 'round and 'round the toilet bowl until being ultimately flushed into punk oblivion. As the toilet metaphor might suggest, the fi is pretty shit on this tape, but not in a 'oh they're just playing an aesthetic for the sake of itself' sort of way. I don't know why I feel the need to defend the lo-fi-ness of everything I post matching that description -- this shit is streaming below so my scribblings on the matter are entirely unnecessary.

Originally released by DZ Tapes on cassette in a batch of 100, I don't know how many (if any) are left, but you can order one from the link below. Or just download for the wonderful price of 'whatever you want.'



Order ЖЕРТВА АБОРТА at DZ Tapes
More insanity available at DZ Tapes

Monday, July 2, 2012

The Adverts [1977-1978]


This is really some Punk 101, but occasionally you gotta dig such essential bands out from the bottom of the pile. I've been on an Adverts kick for a few weeks, so here are their first three singles + first album. For my money they constitute the best of the first wave of UK punk, and all the songs here are timeless. 'Bombsite Boy,' 'Bored Teenagers,' 'We Who Wait,' ... these and pretty much all of the other songs on these records are certified punk classics. This is one of those bands whose lyrics I really enjoy, and T.V. Smith's vocal delivery is superb. The Adverts were audibly sickened by the punk/new-wave fad, which only intensified their own sense of alienation. I swear, nobody could go back to the likes of the Pistols after hearing the superior nihilistic sneer present here. The sense of impending collapse is palpable, and has held up real well through the decades. It's no time to be 21, indeed.


So grab these if you don't have 'em. You're only hurting yourself if you don't.











Friday, May 25, 2012

Dive Signals - Don't Die Just Yet [2012]


As this prairie spring starts to feel like prairie summer (sure are a lot of 90+ degree days for May in Illinois, anyway), I am increasingly in need of music to cool the air. Enter this new(-ish) Dive Signals release, which has been consistently successful in shading me from the Midwest Sun. I have been vibing to this ever since it was sent to me, but finally have overcome the fatigue of exams to tell you about it.

I am always interested to hear what new sounds this guy is coming up with, because it seems like every Dive Signals release (all of five in the first half of 2012) has had a different sort of vision behind it. Don't Die Just Yet, which came out about a month ago, exemplifies this: whereas 10,000 Tropics built on a sunny, Californian ocean-breeze atmosphere, this set grows in the opposite direction, meandering unpredictably through New York streets and alleys, with the sounds of jazz gigs escaping the windows. The trademark Dive Signals spacey drone sound remains, but while on 10kT this effected a wide, sky-filling ambiance, on DDJY the environment feels more like the inside of a near-empty subway station, with the noises of traffic, other trains, crime and degradation, creativity, death and wealth -- The City -- all just on the other side of a wall or ceiling. My favorite passage on here is probably the suspenseful, eight-minute centerpiece '17 Patterns' (which could ably stand in as the soundtrack for a crime film) and its cathartic transition to the more explicit groove of '2nd Notion.' Really, though, the whole effort works well as a continuous piece, and definitely rewards headphone listening.

I highly recommend giving the other available Dive Signals releases a listen; they range from strung-out electric folk ballads to the aforementioned tropical drones to the musique concrète and noise stylings of Mr. Ortega's most recent release of older material, The Grey Tense. It's all free +PWYW on bandcamp, so show some support if you like what you're hearing.


Dive Signals bandcamp
Static Reason

Wednesday, May 9, 2012

Big Black - Last Show [1987]


I'm knee deep in exams so here's a quick post. Big Black's final performance (disregarding that Touch & Go 'reunion gig'). Playing in a steam plant -- sounds about right for a band people seem to like branding as 'industrial rock.' I haven't watched through this yet so I haven't got anything to say about it, except that apparently Kurt Kobain is in the audience somewhere. Enjoy.

p.s. if you've submitted stuff, I'm working on it.

Tuesday, May 1, 2012

The Ex - 1936, The Spanish Revolution 2x7" [1986]


Happy May Day, comrade. It's a holiday that is widely uncelebrated in my country, even though it is meant to commemorate the Haymarket Massacre, which of course happened in my hometown. According to Wikipedia, the US government instead assigned May 1 such comical/Orwellian names as 'Americanization Day,' 'Loyalty Day,' and 'Law Day.' In any case, if you've got the day off or are working an 8-hour day (rather than a 14-hour day, or at least getting overtime pay), you've got unions, socialists, and anarchists of past generations to thank for it.

For today's post I give you the Ex's 1936, the Spanish Revolution double 7". Those who know the Ex can probably already attest to the beauty of this release, but I'll get to that in a minute. First I want to talk about the revolution itself. It was a pretty special thing; it's not every day that ordinary people come together to create a relatively well-implemented anarchist economy and society. If you just want to take free music without learning anything cool, or if you're a Spanish Revolution historian, jump to the bottom. The overview is a little lengthy.

The context in which the revolution took place would be a pretty good place to start. Up to the 1930s, Spain was a largely preindustrial country controlled by wealthy landowners, the Catholic Church, and a series of monarchs and military dictators. Meanwhile, revolutionary fervor was brewing. Through the turn of the 20th century anarcho-syndicalism grew popular in rural Spain, and to a lesser extent in cities as well. The industrial sector was particularly rife with labor conflict. Strikes were a regular occurrence, and were often violently broken. Many thousands of workers were jailed or killed in numerous strike-busting clashes with bosses, police, and the military. In 1910, the CNT (Confederación Nacional del Trabajo), Spain's national anarchist labor union, came forth from a series of similar previous organizations. The militantly revolutionary FAI (Federación Anarquista Ibérica) was formed in 1927, following an exasperating decade of postwar economic turmoil that would be exacerbated by the coming worldwide Depression.

In 1931, the Second Spanish Republic came to power, consisting of a "largely self-appointed group of leaders of several small parties that had been formed within the past two or three years."1 The most pronounced change was the rise of anticlerical hostility, as the new government began to dismantle the Church's political authority. Though socialists were initially well-represented in the coalition government, things had swung to the right by 1934 with the rise of the monarchist pro-Catholic CEDA party, and many of the initial reforms were undone. This was contemporaneous with the rise of the Nazi Party in Germany, the Dollfuss regime in Austria2 and on the tails of substantial rightward shifts in Italy and the USSR. Socialist and anarchist miners in the northern Asturias region staged a rebellion/general strike that was viciously crushed by military forces led by General Francisco Franco. The shelling decimated the capital city of Oviedo. The rebellion was followed by intensified repression consisting of political executions, mass jailings (on the order of 30,000-40,000)3, wage cuts, and counter-reform.

Franco led the Army of Africa in a coup against the Second Republic on July 17, 1936, marking the official start of the Spanish Civil War. It was in this period of wartime instability that the anarchist revolution materialized. In the days following the coup, the CNT mobilized the workforce to take control of the factories, foundries, and transportation infrastructure, as well as organizing militias. Noam Chomsky summarizes (better than I can) the revolution in his 1968 essay "Objectivity and Liberal Scholarship":
During the months following the Franco insurrection in July 1936, a social revolution of unprecedented scope took place throughout much of Spain. It had no "revolutionary vanguard" and appears to have been largely spontaneous, involving masses of urban and rural laborers in a radical transformation of social and economic conditions that persisted, with remarkable success, until it was crushed by force […]

The left-wing socialist leader Largo Caballero had demanded in June that the workers be armed, but was refused by Azaña. When the coup came, the Republican government was paralyzed. Workers armed themselves in Madrid and Barcelona, robbing government armories and even ships in the harbor, and put down the insurrection while the government vacillated, torn between the twin dangers of submitting to Franco and arming the working classes. In large areas of Spain, effective authority passed into the hands of the anarchist and socialist workers who had played a substantial, generally dominant role in putting down the insurrection.

The next few months have frequently been described as a period of "dual power." In Barcelona, industry and commerce were largely collectivized, and a wave of collectivization spread through rural areas, as well as towns and villages, in Aragon, Castile, and the Levante, and to a lesser but still significant extent in many parts of Catalonia, Asturias, Es tremadura, and Andalusia […] The revolution was "apolitical," in the sense that its organs of power and administration remained separate from the central Republican government and, even after several anarchist leaders entered the government in the autumn of 1936, continued to function fairly independently until the revolution was finally crushed between the fascist and Communist-led Republican forces. The success of collectivization of industry and commerce in Barcelona impressed even highly unsympathetic observers such as Franz Borkenau. The scale of rural collectivization is indicated by these data from anarchist sources: in Aragon, 450 collectives with 500,000 members; in the Levante, 900 collectives accounting for about half the agricultural production and 70 percent of marketing in this, the richest agricultural region of Spain; in Castile, 300 collectives with about 100,000 members. […]

The period of July through September may be characterized as one of spontaneous, widespread, but unconsummated social revolution. A number of anarchist leaders joined the government; the reason, as stated by Federica Montseny on January 3, 1937, was this: ". . . . . the anarchists have entered the government to prevent the Revolution from deviating and in order to carry it further beyond the war, and also to oppose any dictatorial tendency, from wherever it might come." The central government fell increasingly under Communist control -- in Catalonia, under the control of the Communist-dominated PSUC (Partit Socialista Unificat de Catalunya) -- largely as a result of the valuable Russian military assistance. Communist success was greatest in the rich farming areas of the Levante (the government moved to Valencia, capital of one of the provinces), where prosperous farm owners flocked to the Peasant Federation that the party had organized to protect the wealthy farmers; this federation "served as a powerful instrument in checking the rural collectivization promoted by the agricultural workers of the province." Elsewhere as well, counterrevolutionary successes reflected increasing Communist dominance of the Republic.

The first phase of the counterrevolution was the legalization and regulation of those accomplishments of the revolution that appeared irreversible. A decree of October 7 by the Communist minister of agriculture, Vicente Uribe, legalized certain expropriations -- namely, of lands belonging to participants in the Franco revolt […] The decree compelled tenants to continue paying rent unless the landowners had supported Franco, and by guaranteeing former landholdings, it prevented distribution of land to the village poor […]

The second stage of the counterrevolution, from October 1936 through May 1937, involved the destruction of the local committees, the replacement of the militia by a conventional army, and the reestablishment of the prerevolutionary social and economic system, wherever this was possible. Finally in May 1937 came a direct attack on the working class in Barcelona (the May Days). Following the success of this attack, the process of liquidation of the revolution was completed. The collectivization decree of October 24 was rescinded and industries were "freed" from workers' control. Communist-led armies swept through Aragon, destroying many collectives and dismantling their organizations and, generally, bringing the area under the control of the central government. Throughout the Republican-held territories, the government, now under Communist domination, acted in accordance with the plan announced in Pravda on December 17, 1936: "So far as Catalonia is concerned, the cleaning up of Trotzkyist and Anarcho-Syndicalist elements there has already begun, and it will be carried out there with the same energy as in the U.S.S.R." -- and, we may add, in much the same manner.

In brief, the period from the summer of 1936 to 1937 was one of revolution and counter-revolution: the revolution was largely spontaneous with mass participation of anarchist and socialist industrial and agricultural workers; the counterrevolution was under Communist direction, the Communist party increasingly coming to represent the right wing of the Republic.4

[end Chomsky]
After the Communist-controlled, USSR-funded Republic government had effectively suppressed and disarmed the anarchists and socialists, who had constituted a significant proportion of the initial defenders against Franco's rebels, it proceeded to lose the war against Franco, who would go on to rule the Spanish State as a authoritarian dictatorship until his death in 1975, at the ripe old age of 82.

The sad stuff is not what I really want to emphasize, however. What is important about this piece of history is the social revolution that took place: a wide-reaching transformation of society to anarchist organization. The revolution can be broadly divided into two main parts: collectivization of industry and collectivization of agriculture.
Industrial collectivization began within hours of the Fascist uprising. Workers in Catalonia "seized control of 3000 enterprises. This included all public transportation services, shipping, electric and power companies, gas and water works, engineering and automobile assembly plants, mines, cement works, textile mills and paper factories, electrical and chemical concerns, glass bottle factories and perfumeries, food processing plants and breweries."5 Major changes in the organization of the tramways dramatically increased service while lowering fares. Similarly, anarchist organization of the vacated medical system (which had been run by priests and nuns prior to the revolution) introduced socialized medicine to thousands of Catalonians who had never before had access to a doctor in their lives. Wages were mostly equalized across industries, "and ex-bosses given the option of leaving or working as one of the regular workers, which they often accepted."6 The revolution also saw the introduction of many women to the workforce, though they still had to contend with domestic work and were paid less than men. In any case, industrial collectivization demonstrated the capacity of the workers to run their own factories without falling into the "chaos" typically attributed to anarchist organization.

Agricultural collectivization was even more extensive than the collectivization of industry, largely because most of Spain's workers were still farmers. While the collectivization was viewed as dangerous and harmful by small- and medium-level farmers (and, obviously, the owners of large landholdings), the majority of landless peasants welcomed the change. Historian Burnett Bolloten describes the process of rural collectivization:
A CNT-FAI committee was set up in each locality where the new regime was instituted. This committee not only exercised legislative and executive powers, but also administered justice. One of its first acts was to abolish private trade and to collectivize the soil of the rich, and often that of the poor, as well as farm buildings, machinery, livestock, and transport. Except in rare cases, barbers, bakers, carpenters, sandalmakers, doctors, dentists, teachers, blacksmiths, and tailors also came under the collective system. Stocks of food and clothing and other necessities were concentrated in a communal depot under the control of the committee, and the church, if not rendered useless by fire, was converted into a storehouse, dining hall, cafe, workshop, school, garage, or barracks.7
Wages (which often took the form of coupons rather than money) were based on the size of the family and the amounts of food and supplies they needed. Resources that were locally abundant were distributed freely or traded with neighboring collectives. Although there were reported instances of forced collectivization, this was not the norm. Small landowners who opted not to join the collectives were given enough land to support themselves but were not allowed to hire laborers, and were denied the social/economic benefits given to members. Large numbers of small farmers were thus compelled to join the collectives based on economic pragmatism rather than threat of violence.8 The Chomsky essay quoted above cites reports that production increased in many of the rural collectives.
Neither the industrial nor agricultural collectivization was perfect – in fact, there were a number of problems (see the Siedman book linked below). But imperfection has hardly stopped us from accepting massively worse systems, such as the one that is in place now. I am fascinated by the positive aspects of the Spanish revolution, and it gives me hope that similar experiments might be possible today (probably in developing countries, which serve as the best approximations for 1930s Spain).

Which brings me to the records themselves. In 1986, the Ex recorded four songs to commemorate the 50th anniversary of the revolution. Two songs are sung in English, and two are in Spanish. They are versions (or syntheses) of folk tunes sung by CNT-FAI partisans and those who aligned with them. Some of the words date back to earlier struggles, such as the defense against Napoleon's 1808 invasion. The Ex's arrangements of the songs fit snugly into the infinitely mutable realm of 'Ex-music,' and these are in fact some of my favorite Ex songs. The original release housed the two 7'' discs in the front and back covers of a 144-page book compiling scores of CNT archival photos from the period of 1936-1939. It is a labor of love, as Begemot over at La Folie du Jour elaborates:
The Ex does not pretend to have accomplished a historical or scientific task, and they make this clear soon enough. They also deny any claim of objectivity: "Thus [the foto collection] it is a compilation: neither chronological nor objective, but one-sided, partial and subjective. Only from the anarchist’s side…" Instead, they point out their aim, which has a double character: firstly, to show "…how much pleasure, imagination, devotion and energy the Spanish anarchists put in their effort to destroy once and for all the damned class of boots, ties and crucifixes…", the fact that this attempt to revolution "…saw an explosion of creativity which only takes place when you're finally able to conceive of something and follow through on it –to arrange your own life without hate and greed, without competition and oppression…" and finally how this effort "…was immediately [attacked], terrorized and destroyed by the state and the bourgeoisie…" Secondly, their aim is targeting to diagnose the similarities between the Spanish experiment and the present: "…For us the Spanish revolution is not just an event or incident, not just a chapter in a history book. It’s an attempt similar to what we are doing now: trying to get rid of this imposed shit system…" With that, the conclusion comes by the Ex as an afterword: for them, the anarchist experiment of the 30’s shows that "…it certainly is possible to bring an anarchist society into practice…''.


Buy the Spanish Revolution 2x 3" CD + book direct from the Ex
For no one is a slave

Links of interest:

References

1. Stanley G. Payne. A History of Spain and Portugal, Vol. 2. "Chapter 25: The Second Spanish Republic." 1973 Madison: University of Wisconsin Press. p. 630.

2. Ibid, p. 635.

3. Gabriel Jackson. The Spanish Republic and the Civil War, 1931-1939. 1967 Princeton: Princeton University Press. p.161.

4. Noam Chomsky. "Objectivity and Liberal Scholarship." Originally delivered as a lecture at New York University in March 1968.

5. Deidre Hogan. "Industrial Collectivisation during the Spanish Revolution." Red & Black Revolution No. 7, Winter 2003.

6. Ibid.

7. Burnett Bolloten. The Spanish Civil War: Revolution and Counterrevolution. "Chapter 6: The Revolution in the Countryside." 1991 Chapel Hill: University of North Carolina Press. p. 65-66.

8. Ibid, p. 75.